Stumbling Toward 'Awesomeness'

I realize most of you have seen this, but for those of you who haven’t, Judd walks people through TLOU rigs with a focus on facial as well. Really great stuff.

[Click to enlarge images]

(All images taken from recent CoD marketing materials)

Here you can see the first-person hands rig, complete with camera frustum tools, and animation controls.

Close-up of the generic male rig, no face rig loaded at the moment, but still interesting.

Here’s a great shot of their first-person-hands-picker. I always love seeing how animators want to work, I really never have worked on a team who wanted a picker, much less something like this, but it’s great to see.

Another picker, maybe the full body one, or cinematics only.

Shooting at giant’s new studio in manhattan beach?

Surprisingly, this looks like it is being shot at Giant’s Manhattan Beach facility, also looks like Giant hardware and marker layout -feel free to correct me if I am wrong. If the unique poured concrete construction doesn’t give it away, they also released images with giant Avatar banners in the background.

If you’re like me, your ears will perk up at any technology promising a better initial skin bind. So I decided to take a look at the new geodesic voxel binding in Maya 2015, I couldn’t find much information about it online, so I decided to do the usual and write the post I would have wanted to find when I googled. I hope it’s useful.

Background

This new way of skin binding was presented by Autodesk at SIGGRAPH 2013.

Here’s a link to the SIGGRAPH 2013 white paper: Geodesic Voxel Binding for Production Character Meshes, definitely worth checking out. I do like how Autodesk is now using the word ‘Production’ a lot more. It seems they are no longer using simple test cases to test pipelines and workflows. Above, they used our Nanosuit, from the Crysis franchise. Here’s the full video that accompanies the talk: [LINK]

How It Works

The basic idea is that it voxelizes characters into three types of voxels, skeleton, interior, and boundary. This way it tries to eliminate cross-talk. At ILM we had a binding solution in Zeno that used mesh normals and this eliminated crosstalk between manifold parts like fingers, but most of this paper focuses on skinning non-manifold meshes, meshes with intersecting parts, open holes, etc.

In Practice

Here’s the hand of the Marius bust we send out for rigging tests, notice when skinned with Closest in Hierarchy, there is some significant crosstalk:

Here’s an initial finger bind with the new algorithm, there’s still some crosstalk at 1024voxel resolution (highest possible), but it’s much better:

As someone who is very nitpicky about my skinning, *any* crosstalk at all is unacceptable, and it takes me about the same amount of time to clean the tiniest values as it does these larger ones. Here’s a closer look at some of the crosstalk from the ‘gb’ binding:

Crosstalk isn’t just bad for deformation, but these tiny little values are inefficient and sloppy, especially if you are sending it to a game engine.

Another area that requires significant cleanup is the underarm area where the serratus anterior lies, here I thought the new approach would work very well, unfortunately the binding didn’t have a noticeable difference from previous methods.

Few things are more difficult to skin than the human face. Here you can see traditional vs geodesic. I will say it’s definitely better than the old bind, but still has issues. This is one of the first initial skin binds on a closed-mouth neutral bindpose I have seen that has no cross-talk on one lip. I tweaked the falloffs doing three different binds on the traditional on the left.

Multi-Threaded?

Another thing I like is a hint at a multi-threaded future. The binding process (voxel calculation, etc) is multi-threaded. At Crytek, we even make hardware purchasing decisions based on Maya not being multi-threaded. We get animators the fastest 2 core CPUs, this allows them better interactive framerates, and still a second core for a headless mayapy to export a long linear cutscene or animation. It’s nice to see Autodesk begin to think about multi-threading tools and processes.

In Conclusion

The new Geodesic Bind algorithm from Autodesk is a step forward. There’s still no free lunch, but I will be using this as my default bind in the future. I will update this post if I run into any problems or benefits not outlined here. It would be great if there was a voxel debug view, or the ability to dynamically drive voxel resolution with an input like vertex colors a map, or polygon density.

Backwards Compatibility: New Nodes and Attrs

If you just want to use the latest Maya to try the feature, here are some gotchas. There is a new geomBind node, and some attributes on shape nodes:

// Error: file: C:/Users/chris/Desktop/TechAnimationTest/TechAnimationTest/Head_Mesh_skin.ma line 28725: The skinCluster ‘skinCluster1’ has no ‘gb’ attribute. //
// Warning: file: C:/Users/chris/Desktop/crytek_sdk_head_a/head_a.ma line 27464: Unrecognized node type ‘geomBind’; preserving node information during this session. //
// Error: file: C:/Users/chris/Desktop/crytek_sdk_head_a/head_a.ma line 34: The mesh ‘eyes_MSH’ has no ‘.sdt’ attribute. //

The geomBind node stores ‘the post voxel validation state performed during the geodesic voxel bind algorithm.’ and some other attributes. It has a message attr that connects to a skinCluster. The SDT attr on shapes is not related to skinning, it is a new ‘Subdivision Method’ attr for the openSubDiv support.

The above said, it seems to work fine for me if I just delete that stuff, the skin weights are fine.